domingo, 25 de julho de 2010

Restaurantes em Lisboa


Um pequeno restaurante no coração de Lisboa onde se juntam o ambiente retro com o bom paladar. Este espaço por vezes surpreende o visitante com esporádicos concertos e eventos ao vivo. Para saber mais sobre este lugar especial, visitem o site e descubram como o encontrar.










"É um bar? Um museu?Quem lá entra pela primeira vez dificilmente consegue disfarçar o deslumbramento.Ao som da campainha, um empregado impecavelmente vestido com calças pretas de vinco, colete e laço vermelhos por cima da camisa branca, abre a porta ao cliente e acompanha-o até às mesas.Por cima da música ambiente variada – techno, R&B, jazz – ouve-se falar espanhol, alemão e inglês.São muitos milhares de peças de colecção divididas tematicamente por cinco salas decoradas pelo dono do bar, Luís Pinto Coelho. “As peças são todas pessoais. Ele começou a coleccioná-las desde os 12 ou 14 anos e quando abriu este bar resolveu pôr cá as peças todas que tinha em casa”, conta António Pinto.Apesar de o bar ter sido inaugurado em 18 de Fevereiro de 1986, supõe-se que o Pavilhão Chinês date de 1901. A publicidade boca-a-boca é a principal forma de promoção do Pavilhão Chinês. “A nossa publicidade é feita exclusivamente através dos cartões e postais que as pessoas levam. Depois, os próprios turistas vão passando a palavra”, diz António Pinto.“É interessante e original, muito diferente dos outros. Entrou directamente para a minha lista de bares preferidos”." -Recolhido do texto introdutivo no blog deste magnifico bar.








 
Texto de Luís Garcia e Marina Ribeiro
In http://www2.fcsh.unl.pt/cadeiras/plataforma/foralinha/atelier/a/www/view.asp?edicao=09&artigo=355
Direitos das imagens: http://www.flickr.com/




Crew Assan

Um espaço especial cheio de surpresas. Não se deixem intimidar pela entrada pois o interior promete.
Convido a ver as fotos do espaço no site desta associação ( endereço no nome do espaço)


sábado, 24 de julho de 2010

Sunset Cabin, Lake Simcoe, Ontario





The owner couple of this beautiful pre-fabricated cabin on the shores of Lake Simcoe in Ontario, Canada, has been coming to their large recreational property for a quarter-century. But the big property in a great recreational location translated into lots of overnight guests and no privacy for the owners.

They felt they needed a 'getaway,' a place at their own property where they could capture the peace and serenity of the surrounding four-season nature without disturbing any of the existing trees or structures. They needed a place that remembers what the Simcoe cottage-country is all about.

The brilliant, award-winning solution by Toronto-based Taylor Smyth Architects is the one-room Sunset Cabin, a real cabin with a decidedly contemporary feel. The wonderful cabin has won several architectural and design awards and met the clients’ needs perfectly.

It is a one-room (190 square feet in size), self-contained box that was built by furniture craftsmen in four weeks in a Toronto parking lot and installed on site in 10 days.

Three of the exterior walls are floor-to-ceiling glass and of those, two are encased in horizontal cedar-screens for privacy, shade and light effects inside. One of the cedar screens has a large opening providing a direct view of the sunset from the built-in bed. The rest of the screen has random smaller gaps to allow various vignettes of the surrounding nature and to create fantastic light patterns inside. The slats are positioned so that there is no direct view in from the outside, but at the same time, it the inside feels almost wall-less.



The untreated cedar of the outer structure will turn silvery grey over time, helping the cabin blend in with its natural surroundings. In addition, the roof, visible from the existing main building, is a green roof planted with native plants of the area, further ensuring that the building mixes in with the landscape rather than sticks out in it.

All interior surfaces are unpainted birch veneer plywood, including the built-in storage cabinets. Doors at both ends of the cabin allow for cross ventilation. The interior floor extends outside to form a deck where the rustic feel continues with the screened-off outdoor shower.

The owners are apparently spending more time at their property than ever before. They enjoy the cabin year-round, heating it by a wood-burning stove and, if needed, electric heaters. Most likely, they are not inviting guests to share the space, so we can join in only by admiring the images. By Tuija Seipell

sábado, 3 de julho de 2010

Em construção =(

Temporariamente em Standby... sorry =(

domingo, 2 de maio de 2010

TEMPER de Maio e Junho

Abertas sugestões para o TEMPER dos meses de Maio e Junho. Vi-me forçada a fazer um temper por casa dois mêses durante o tempo escolar.

Personalidades:
Aires Mateus
Carrilho da Graça
Tadao Ando
Mies Van der Rohe

Temas:
Bibliotecas (incompleto do mês passado)
Cafés e Restaurantes
Casas Unifamiliares
Opção(aberto a sugestões)

Votem mto!

AC

domingo, 18 de abril de 2010

A visão e as propostas | Sou Fujimoto

Sou Fujimoto, ainda que seja um arquitecto com poucos anos de prática, cerca de 10 anos, já concretizou projectos com bastante relevância para a história da arquitectura moderna. Seleccionei alguns projectos que publicarei ao longo do restante mês. São eles a Casa OM, Casa O, Casa N, a Casa antes da Casa e por fim uma Biblioteca em Tokio.

Para compreender melhor a visão deste arquitecto, recomendo que leiam ao pormenor a entrevista de a Lusa fez ao arquitecto, a qual se encontra publicada no site Construir. Transcrevo no entanto as informações mais relevantes para a caracterização deste segundo projecto, Next Generation House| Final Wooden House.


  O  arquitecto japonês Sou Fujimoto, esteve no Porto a 18 de Fevereiro de 2009 para participar no ciclo sobre "Cinema e Arquitectura" que o 29º Fantasporto organiza conjuntamente com a Secção Regional do Norte da Ordem dos Arquitectos, no âmbito do qual proferiu uma conferência sobre "As Ruínas do Futuro".  Fujimoto, qualifica o seu trabalho como "arquitectura primitiva do futuro", porque procura criar espaços que funcionam como cavernas ou ninhos - os dois estados embrionários da arquitectura - mas onde tudo está concebido de forma muito funcional e onde, ao mesmo tempo, as pessoas possam usar o espaço de forma criativa". 
Privilegia a função sobre a forma e nisso a sua arquitectura aproxima-se muito da escola do Porto de arquitectura e de Siza Vieira, um dos seus ídolos. Só que Siza trabalha com betão e Sou Fujimoto trabalha sobretudo com madeira, o material fundamental da arquitectura tradicional japonesa, que procura projectar no futuro. 

A sua Next Generation House (Casa para a Próxima Geração) é um cubo de quatro por quatro metros, feito com grossos barrotes de cedro japonês, entrecruzados e dispostos como um puzzle de forma a criar espaços para viver. "O espaço condiciona o relacionamento entre as pessoas e a arquitectura gere as gradações desse relacionamento. Gosto de criar espaços intermédios e não só paredes que separam espaços e pessoas. Por isso, embora as minhas obras pareçam complexas, por causa da sua forma geométrica, são de facto muito simples", considerou.

Fonte: Construir
*AC

sábado, 17 de abril de 2010

Sou Fujimoto | Arquitectura Primitiva do Futuro

 Sou Fujimoto é um arquitecto japonês que tem vindo a desenvolver  aquilo a que chamamos "casa" para alem dos aspectos formais,  introduzindo desta forma novas tipologias do "viver". Nasceu a 4 de Agosto, 1971, em Hokkaido, Japão. 

Em 1994 formou-se no Departamento de Arquitectura da Faculdade de Engenharia da Universidade de Tokyo. Após a licenciatura, Fujimoto estabeleceu-se profissionalmente, criando o Atelier Sou Fujimoto Architects em Tokyo no ano 2000. Fujimoto tem também vindo a dar aulas na Universidade de Ciências de Tokyo desde 2001, Universidade de Tokyo  e Showa Women’s University  desde 2004, assim como na Universidade de Kyoto desde 2007.  Para mais pormenores em relação à formação deste jovem arquitecto, recomendo a compra do livro Nº50 da colecção 2G, que contem também o artigo de pesquisa do próprio, “Nexus, Futuro Primitivo”. A pedido posso vir a mostrar pormenores desde mesmo trabalho, que digo desde já ser uma reflexão interessante sobre a origem do lar e de outros conceitos relacionados com a teoria da arquitectura.

No site DesignBoom, está publicada uma entrevista da qual selecionei os conteudos mais interessantes. Fujimoto fala também um pouco do seu trabalho.

What is the best moment of the day?
Morning, I'd say, except when it rains (laughs).I usually wake up early rather than late, and mornings are very precious for me. I like the beginning of everything. The morning is the beginning of a day and I like to think of it as the beginning of architecture.

Do you read design / architecture magazines?
I don't read them in detail, I just take a look. Mostly japanese but also international magazines. Recently my studio subscribed to domus, architectural review and architectural record.

When you were a child, did you want to become a architect?
I grew up in hokkaido, in the northern part of japan, surrounded by nature and I enjoyed just playing in the forest. I didn't think about any future of mine. My hero was albert einstein, so originally I wanted to be a physicist like him, I was interested in the physical aspects of
our world. now I find many similarities in the research and practice in both fields, architecture and physics. My first experience with architecture was with antonio gaudi (through reading a book about him).

Where do you work on your designs and projects?
Mainly in the office because my work is not only done by me. I collaborate with my staff through discussions and models, but when I want to focus on something I prefer to be alone. In that case I work at home or in a starbucks cafe.

Do you discuss your work with other architects?
Sometimes. For example with toyo ito and kazuyo sejima, ... but we don't discuss, we chat.

Describe your style, like a good friend of yours would describe it.
I call it 'primitive future'. A sort of primitive situation that relates to the human 'cave' habitation but at the same time I like to create somethingnew for the future.
I recently gave a lecture 'cave or nest', the two embryonic states of architecture.
A 'nest' is a place for people that is very well prepared, everything is assembled and very functional, meanwhile the 'cave' is just a raw space, which people need to explore and find their own comfort within. this is a situation where people can use space creatively.
I prefer something like the cave-like-unintentional space. Something that is in between nature and artifact – formless form.

Formless form?
Space is relationships and architecture generates various senses of distances.
I'm very optimistic and see architecture as something between living together and independently. there are many degrees of interaction amongst people.
to construct a wall is to bisect a space into 0 and 1, however a space must have intrinsically many graduations between 0 and 1. I like to create an in-between-space, therefore my
works are very basic (I've designed architecture that is very simple but looks complex due to its geometric form).

Please describe an evolution in your work, from your first projects to the present day.
The projects are becoming bigger because I get the chance to do more prestigious work, but I don't want to limit myself just to expensive things. Sometimes with private projects that are
low-budget I have more possibilities.

What project has given you the most satisfaction?
There are two low-budget projects that I have just recently finished. One is named house N which is a very simple box house. An outdoor space that feels like the indoors and an indoor space that feels like the outdoors. I think we were successful in creating a space between the house and city. My ideal is architecture too be roofless and garden-like.
The other project is called 'final wooden house'. We stacked wooden blocks together to create a very small house, in which there are no categorization of floors, walls, and ceilings. Because floor levels are relative people reinterpret the spatiality according to where they are. It was a big challenge for us, as we needed to consider if there was enough space for people (laughs).

Did you modify your buildings a lot during development, because the client wanted something different?
I like to answer to the clients request as much as possible, but I do not see it as compromises. I react with a more creative development. Of course clients always have an idea of what they want and some site specific concerns but at the same time they like to have something unexpected or something beyond their imagination. Many clients want a new lifestyle through a new style of house. I propose something beyond their request and if they like the idea, the project will start. If they don't like the project at all it will stop.fortunately our idea, our scheme is a flexible one. The basic scheme is very strong but it can adapt while still remaining strong.

Is there any architect from the past, you appreciate a lot?
louis kahn, le corbusier, mies van der rohe... and of course michelangelo. I also like the architecture designed by nobody, for example gothic cathedrals.

And those still working / contemporary architects?
I love frank gehry because his architecture is like a second nature,like a jungle.  Something beyond artificial things, it's amazing.

What are you afraid of regarding the future?
I think I we have to be very serious about the change in climate and the situation of nature. I think that it is a great opportunity for us to rethink about the modern age culture of controlling everything. We have to change that kind of whole super controlling situation.for example air conditioning - when we use it we close and shut out nature and we are limited in the space
we have. The artificial machine of the air conditioning is controlling our space and separating each other. Instead we might be able to live together and use a kind of natural power to create a more comfortable space. Humans should adapt a bit more, rather than control.


Bibliografia: 2G, nº 50, Sou Fujimoto | DesignBoom |